“The slim, supple bodies of fish swim through this portal-like apparition above a green field of upwelling sediment. The shot changes: a white petal drifts aimlessly in a shallow flow of muddy water. Then, a bee nuzzles the wind-tousled petals of a rosily blossoming flower. In shots that follow like a train of thought, we follow water through a stream of transformations: from snow to ice to water; from rain to snowfall to ice. Sometimes these associations are physical, in relation to the water, other times they are visual, in closer association to the quality of Hecox’s filmography. Mirage-like in the shimmering pool of the projection, shots proceed through abrupt alterations in scale and orientation, all of which demonstrate a sensitivity to the perspective of the object being captured; in a shot taken directly perpendicular to the ground, we watch snow fall and accumulate on a city sidewalk. The rocks that surround this projection heighten our sense that we look into the depths of a strangely animated pool, while also pursuing the idea of transformation as they exist in almost mocking relation to the concrete floor upon which they rest. Can there be kinship between rocky crags and the cement of city streets?”